I love when something looks extremely serious but the actual story is just a little bit ridiculous. That was basically the fun of The Briefcase.

The visual world was polished and cinematic, but the humour was dry and character-driven. My involvement was around performance and voice work, with a lot of attention paid to pacing because the joke only works if you do not oversell it.

Tbh, that balance is harder than it looks. You have this beautiful Rolls-Royce, formal wardrobe, dramatic framing, and then these tiny moments that quietly break the seriousness. I really liked getting to work inside that contrast.