Wild Flower Trilogy was one of the weirder voice projects in the best way. The world is darker and more cinematic than the commercial reads I was doing, so I had a lot more room to play with character and tone.

I experimented with a lower, creepier register for parts of the narration and tried to think less about sounding “nice” and more about what the scene actually needed. That shift was rlly fun because the voice could become part of the atmosphere instead of simply explaining what was happening.

I like projects that make me use a part of my voice I would not normally reach for. It feels a little uncomfortable at first, and then suddenly you find something interesting in it.